WILLIAM TURNBULL – BEYOND TIME

May 17th, 2012 by Lara Bohinc

ICA- a film premiere about the work and life of artist William Turnbull by his son Alex Turnbull was a fantastic documentary exploring a number of questions.

 

During the interviews with numerous established artists (Anthony Gormley, Peter Blake, Richard Hamilton,) it became clear that he was and still is a very important and influential figure in the art world on a par with Henry Moore. So why was he massively overlooked?

 

One of the possible answers is that he is one of the few abstract sculptors in UK. Even though we had over a century of modern art, some of it abstract, it seems that people find it difficult to relate to abstract forms. To understand and relate to abstract shapes one must have a capacity for abstract thinking and that is something that we will probably not see en mass in the near future.  Most people like to look at things they can relate to; flowers, landscapes, human bodies, butterflies, skulls and even a shark in formaldehyde are easier to understand than lets say a square on a white background.

SPOMENIKS

May 8th, 2012 by Lara Bohinc

Often when asked which part of my design has my Slovenian born influences, I usually cant think of anything to say.
Until recently, when I came across a book of photographs by Jan Kempenaers featuring “Spomeniks”. Spomenik in Slovenian, Serbian and Croatian language means the same thing: it is a word for a monument. In former Yugoslavia “spomeniks”  were raised to commemorate fallen partisans, prisoners of concentration camps, victims of the oppressor and to celebrate the heroes of the revolution. They all came from the same era of  Tito’s socialist bloom; between early fifties and late seventies. For the chosen  sculptor to build those monuments it was a rare opportunity to express their vision of the brave new world in massively large scale, with no expenses spared. Mainly built from (so appropriate) concrete in futuristic shapes, inspired by constructivism, soc-realism and space age, I now realize that those sculptures have influenced my work immensely, perhaps far more than anything else I have ever seen.

Photos from book by Jan Kempenaers: “Spomenik”

UNSEEN GUY BOURDIN

March 7th, 2012 by Lara Bohinc

A visit during Frieze art fair to Michael Hoppen gallery stand reminded me of how much I loved the “Unseen” exhibition of Guy Bourdin’s photographs that were published after his death.

Below are some of my favourites and you can see more at www.michaelhoppengallery.com

 

PRESSURE´S MOUNTING UP

February 17th, 2012 by Lara Bohinc


A new question has been appearing in my interviews lately, which is: “How do you cope with pressures of being a designer?”

People are used to actors, musicians and artists going completely off the rails, but designers have up until now been relatively stable horses. After the suicide of Alexander McQueen, the drunken-racist fall of John Galliano and the mysterious nervous breakdown of Christophe Decarnin from Balmain, the public has started asking: What has happened to our fashion darlings? Don’t they have everything they want: a great job, famous friends, exotic travels, beautiful houses and VIP treatment all the way?

But of course everything comes with a price. Top designers can get paid more than ever now but they also have to work harder than ever. With four collections a year and numerous lines to take care of, everyone is feeling the strain. And where musicians get a long enough break after the tour or the last album, designers can not get a substantial enough time off to recover from the strain of the last collection. The fashion wheel has to be perpetually moving…

The pressure to be commercially successful, where you are judged upon sales and how many best sellers you can create; as well as being amazingly creative and provide pieces that have swooning effect on the editors, is just proving too much to bear on some.

On top of it, designers have become public figures and have to look the part. Even amazingly talented McQueen has lost his weight after his profile grew, Tom Ford looks like a sexy actor himself and Marc Jacobs appears like he lives on wheatgrass juice alone. When you have to compete with models, singers and actors designing collections, then you realize that if you cant beat them, then your looks just have to raise a notch towards those standards.

I better go and book myself a teeth bleaching session then? Or to not take it all that seriously may prove to be a healthier solution.

 

THE IMPORTANCE OF A MUSE?

February 9th, 2012 by Lara Bohinc

At a recent Hogan party during Paris fashion week there was a bustle of photographers in the midst of the exhibition; a closer look revealed sunglasses clad Karl Lagerfeld with an array of young and beautiful girls, the ones he calls the Muses.

 

So I asked myself- what does a muse actually do and how do you qualify to become a muse? I have been asked myself many time in interviews who were my muses – but I am not sure what would I do with a muse? I am a woman myself, I am surrounded by women: my mother, my friends, my colleagues, I talk to them about mine and their problems, and also about fashion. So what would a muse bring to my table?

 

I guess when you are a male designer you need your Barbie doll to dress up and I don’t mean just a fitting model. It needs to be the one you can play with, have conversations, lunch, dinner, drinks, go to museums, holidays, business trips, basically be around to show the designer the world of femininity and its problems. And don’t they look good whilst doing it! There are numerous glamorous images of Halston with his girls, Yves with his girls and Karl just knows that it will look good in the press now days too. This is where female designers miss out: it is a great photo opportunity!

 

Perhaps I should get a muse or two after all…

 

Photo by Hannah Bhuiya
 

SOPHIA VARI – IS THIS THE GREATEST LIVING JEWELER?

December 14th, 2011 by Lara Bohinc

At the last “Pavilion of Art and Design” during Frieze I fell in love with the work of jeweler/sculptor Sophia Vari and consequently I have decided that she is my favourite living jeweler.

Born in 1940 in Vari near Athens to a Greek father and Hungarian mother, she is an internationally renowned sculptor and painter in her own right.

 

She has discovered jewellery when she was in process of giving up figurative painting and was moving towards abstract sculpture. Her forms are tangled, intertwined circular shapes, spheres, semi discs and circles randomly gathered in skywards motion. Always bold, rounded sensual curves in beautifully contrasting colours and materials like ebony versus gold, red enamel or coral against black wood, those creations are full of life, motion and contrast, echoing the cubist sculpture tradition.

 

Sophia Vari is available at Luisa Guinness Gallery and Didier Antiques

 

WILLIAM VINTAGE

December 7th, 2011 by Lara Bohinc

For our latest advertising campaign we have borrowed some beautiful Ossie Clark dresses from a fantastic vintage store “William Vintage” on Marylebone Street in London w1. The owner William Banks-Blaney has been titled the King of Vintage by Vogue and he specialises in unworn couture items from all eras, with prices starting from £200. His store is like Aladin’s cave for a vintage junkie, with rails after rails (and some hidden rails too) of rare gems  in pristine condition.

The mannequins wear the original 1953 Dior LBD  and a 1975 Stavropoulos blue chiffon

The mannequin wears 1975 Mary McFadden couture

William himself is fitting a 1965 baloon dress by Lee Claire

Courreges haute couture 1968 silk jacket

L-R: Dior haute couture cigaline cape 1963, Hanae Mari haute couture Rinzu dress 1962, Dior haute couture linen dress 1965

L-R: Richard Tam haute couture 1968, Ossie Clark 1968, Courreges haute couture mini 1968

Courreges haute couture 1968 silk chiffon and marabou feather

COPYING IS BULLYING

November 30th, 2011 by Lara Bohinc

 

On many occasions my friends would call me: “So-and-so copied your bracelet, necklace, earring, you name it. Why don’t you do something about it?”

So often we do it. This is how it works:

Our lawyer writes them a letter saying they infringed the copyright (£500 down the drain). Their lawyer writes a letter back saying no way. Our lawyer asks me to provide the proof I designed it and that I designed it before they did (2 days of going through archives, old drawings, press clippings, some phone calls and emails later). Another £2000 down and our lawyers provide them with the proof. They dispute it. Going back and fourth until we get fed up and say that now we will take them to court.

Our lawyer warns us that just to file the lawsuit it will cost us around 30k. We say we don’t care. Then he warns us that if we lose it may cost us 300k and up. We say we don’t care. We will sell our houses, we will fight them till the end. I feel like Robin Hood. I know I am in the right and they are in the wrong.

Then I guess they realise that we wont back up. Shock and horror – this small label is willing to fight them till the end. All at the sudden they say lets settle it and by then our lawyers have already made the bill of about 20k. Finally they pay the lawyers bill, angrily.

We lost: reputation and sales (since our clients don’t like to buy something that has been seen on everyone), time (dealing with lawyers and providing evidence), and the will to do this over and over again.
They lost 20k and potential cash cow.
Lawyers: 20 k in their bank account. They win every time.

It is tireing, it is frustrating, it is a no-win situation. I could do this every day.
I realise it is a way of big cash rich companies bullying smaller labels. They bank on us getting scarred. Why – because they think they can and because they would have made enough money by the time you would have sued them anyway. If you can be bothered to sue them in the first place.

I feel this is all so wrong. If you are accused of murder then the state will provide you with a lawyer and pay for him too. If someone copies and practically steals your designs then the state will not help you. No matter how much tax you pay. You have to fight them yourself and if they win then they can even ruin your life and get you bankrupt.

Every time I see a copy of a design of mine I feel no flattery. That is the luxury of big design houses with full bank accounts. I feel robbed, I feel angry and I feel like fighting.

 

ABOUT THE RINGS

November 23rd, 2011 by Lara Bohinc

 

I saw a girlfriend recently who has just returned from her honeymoon without a ring in sight, nor an engagement nor a wedding ring. Not that she didn’t get a wedding ring but she lost it somewhere in the hotel on her honey moon and the engagement ring, well that was never made on time before the wedding anyway. Since I am a jewellery person myself I can talk buckets on those subjects. So here we go:
Engagement ring: girlfriends don’t be persuaded that you have to have a diamond ring, not unless you want to of course. “A Diamond is forever” is a phrase that was coined as a marketing ploy by De Beers in 1947. Before that engagement ring was made of pearls, rubies, sapphires, any coloured stones, you name it. Also don’t think that it has to be something that you have to wear every day, till the rest of your life. That is what wedding ring is there for. Engagement ring can be bold, big and extravagant and you only have to wear it on your wedding finger every day until you get married. After that you can wear it on any finger you like, on any day of the year, or not wear it at all. So I say go for it! For most women it is the single most expensive piece of jewellery they will ever get (unless you are in the lucky few….) and that is why they choose something they can wear day in and out. But that can become a bit boring. Since now days most women actually choose their own engagement rings then you can choose something that reflects your personality at the time, something that goes with your current outfits and something a bit crazy and special, a bit like falling in love…

 

Wedding ring: ok so this is a different story. Choose something you can wear every day until the rest of your life, with every outfit, any jewellery and every possible hair colour change that you can imagine you might ever want to do. The big question is to go for yellow or white gold? At the end it doesn’t really matter since you can always plate another colour on top of it without loosing its value. My mother even had hers reshaped in a square shape and it looks really good now. It is all about keeping the same piece of metal since the superstition says that gold channels ones own energy.
And about loosing jewellery: well single best advice I could possibly give you – never ever take your ring off your finger! You should only take it off at the same place, always put it in the same drawer, jewellery box, bathroom cabinet, a safe but always, always, always in the same place. So extra caution when you are travelling and taking it off in different places. But never ever – please! – Don’t take it off to wash your hands in public toilets! That is really when most people loose their precious rings. Now what would you rather have: a bit of soap stuck onto your ring or no soap and no ring either?

 

THE TRUTH BEHIND INSPIRATION

November 16th, 2011 by Lara Bohinc

 

I think it was time I told the truth.

I often get asked what the inspiration was behind a collection. To be honest most of the time I would just look at the designs in front of me and make up a story that was supposed to be “the inspiration”. Or even worse – I would think of the names of the pieces first and then tell PRs to make up their own stories.

I have fun with names of course: Lunar Eclipse necklace, Daddy’s Girl earrings, Twisted Lie bracelet, Yupana earrings (does anyone know what that is?), Saturn Honeycomb earrings (hellooooo????). I giggle when I write them down knowing it is all a big lie.

 

The inspiration just doesn’t come like that- going to British museum and looking at some painting or seeing a film, going to an exotic place or looking at stars. At least not most of the time. Not for me.

Real innovation comes from days and days of gruelling research, playing with the material, experimenting, chucking it in the bin and learning. Doing it over and over again. Until it is perfect. Then the PR person comes along and asks me what the inspiration was…..I want to scream. Not again.

 

It took me years to develop the Marina collection. You know the one that was copied from A-Z of high street and some of the big names too. I can truly say that because it took me years to develop it – three years to be exact and we launched it over four years ago. So seven years ago I started working on it.

It all started when I used to share my studio with i.e. Uniform and my friend Roger Lee kept nagging me to do something for his show that would look like a knotted scarf. I couldn’t get my head around it simply because I couldn’t find the right chain. It was all quite simple once I have discovered the right family of chains. Light yet voluminous, curving beautifully at the tight angle and made of crown like components. I have discovered that those crown components can be seamlessly joined into each other, thus creating an invisible link, one without soldering. That led me into the idea of creating loops that would interlink with each other, creating chain from chain. Marina collection was then born.

 

 

I studied books on sailing, knots and yachts remembering my own childhood holidays spent on Adriatic Riviera. I always had a strong feeling for craft and already as a child I learned the art of macramé, crochet, knitting and sawing. I wanted to bring those elements into jewellery.

The idea was to create jewellery with knots similar to those used in sailing, in a way similar to macramé. The unity knot in Laratella bracelet came from that, as well as the plait in Plait bangle and looped designs in Rosetta necklace.

The collection looked seamless and beautifully simple. Once you see how something is made you understand the concept behind it, then it is easy to “adapt” it or be “inspired” by it.. All those years of thinking how to make knots from chain, those samples that were made and chucked in the bin, all of that for someone else to make the big bucks. But that is another blog I need to write….